Waiter Peninsula Reviews
Reviews of Musical Events on the Monterey Peninsula
Lyn Bronson, Editor
121 Fern Canyon Rd.
Carmel, CA 93923-9604
Phone: (831) 625-0797
Fax: (831) 624-7971
E-mail: LBronson@redshift.com

http://www.BronsonPianoStudio.com/reviews.htm


Date Review Organization
02/16/08 Guest Conductor Marko Letonja & Soprano Tracy Dahl Monterey Symphony

 

Opera Night at the Symphony

by

Lyn Bronson

Soprano Tracy Dahl

 

[The review below will appear in the Salinas Californian on Monday, February 18, 2008]

The Monterey Symphony pulled a switcheroo on us last night at Sherwood Hall. We were supposed to be hearing as a major work on the program Polish composer Andrzej Panufnik’s Symphony No. 3 (Sinfonia Sacra), a work written in 1963 and highly praised by the late Leopold Stokowski. Allegedly, because of the difficulty of finding additional musicians needed to perform this large score, a last minute decision was made to replace the Panufnik with Beethoven’s Fourth Symphony. Thus it was, that although advertised on the Symphony’s web site and in local newspapers, guest conductor Marko Letonja pulled a rabbit out of his hat and whipped together a very decent performance of the Beethoven at very short notice.

Since the Fourth Symphony is less often performed than his others, it is easy to underestimate its quality and its significance, but Maestro Letonja put a positive spin on it and infused it with considerable vitality and charm. The Allegro ma non troppo final movement was especially effective on this occasion and was a big hit with the audience.

The second half of the program was “opera night at the symphony” as we heard three instrumental selections from operas by Bellini, Puccini and Verdi and three arias by acclaimed coloratura soprano Tracy Dahl. The Bellini Sinfonia from I Capuletti e I Montecchi (another version of the Romeo and Juliet story) was mostly flash and dash, although with some lovely horn and flute obbligatos, and Ms. Dahl’s aria, Oh Quante volte, showed that she has an expressive voice capable of endearing subtlety in quiet moments and enormous power in climaxes. Her cadenza was a knockout! The instrumental Intermezzo from Puccini’s Manon Lescaut was a beautifully expressive performance (with a lovely opening cello solo) and Ms. Dahl’s performance of the beloved aria from La Bohème, Quando me’n vo, tugged at the heartstrings. The concert ended with two selections from Verdi’s La Traviata, the stirring Prelude to Act 1 and a final aria by Ms Dahl the lovely Ah fors’e lui. Responding to the enthusiastic applause, we were given one lovely encore, O mio babbino caro from Gianni Schicchi.

This program will be broadcast on KUSP 88/9 FM on Sunday, March 9, 2008, at 11:00 am. 

 
End

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