Waiter Peninsula Reviews
Reviews of Musical Events on the Monterey Peninsula
Lyn Bronson, Editor
P.O. Box 1801
Carmel, CA 93921
Phone: (831) 624-7971
Fax: (831) 625-3717
E-mail: LBronson@redshift.com

http://www.BronsonPianoStudio.com/reviews.htm


Date Review Organization
02/17/07 Schumann's Konzertstück for Four Horns Monterey Symphony

Schumann's Konzerstück a Knockout

by

Lyn Bronson

Soloists Matt Reynolds, Bethany Zane, Darby Hinshaw & Alex Camphouse

[This review will appear in the Salinas Californian on Monday, February 19]

      There were four (count ‘em four) French horns on stage at the Monterey Symphony’s Sherwood Hall concert last night, and did they ever kick up a storm! We were hearing a rare work, the Konzertstück in F Major for Four Horns and Orchestra by Robert Schumann, and it is a knockout. If you are considering taking up a musical instrument in your spare time, forget about horn, take piano lessons instead, for horn is such a super difficult instrument to learn and play well, it’s best left to the pros. Well, we just happened to have four pros in our midst last night as Monterey Symphony principal horn Alex Camphouse was joined by Darby Hinshaw, Bethany Zane and Matt Reynolds to make up a quartet of soloists that just about blew the roof off at Sherwood Hall.

        Although this work is called “Konzertstück,” (concert piece), it is indeed a concerto, and very possibly the first horn concerto ever written. A lot of the fun in this performance was watching the interplay as themes ricocheted back and forth between the players. Several times we heard fragments repeated up and down the line in rapid succession, one after the other, like a Busby Berkeley chorus line. It was fun!

      What was not so much fun was the opening selection of the evening, Wagner’s Siegfried Idyll.  Maestro Max Bragado-Darman drew some beautiful sounds out of the Monterey Symphony’s string and wind sections and individual soloists turned in lovely performances. However, the piece just went on and on and never seemed to end.  Ultimately it came across as a collection of beautiful effects, whose length of 20 minutes seemed like 30.

       Finishing off the evening we heard a boisterous performance of Beethoven’s ever popular Fifth Symphony. Perhaps no performance of this symphony is subtle, except, of course in the heavenly slow movement where you find out how softly the individual players can play. However, no matter how many times you have heard this great symphony, it never fails to make a grand effect, and so it did on this occasion.  More than one person was heard exiting the hall humming the great seminal motive “da da da dum.” 

End
 

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